Author: Susan de Guardiola

  • December 2025 Gig Calendar

    Jane and more Jane! I have finally succumbed to the Jane Austen 250th hoopla and will be doing two Jane Austen events in Connecticut this month: a lecture with a bit of dancing and a dance-centered evening. In between I’ll be up in Hartford for waltz and down in New Jersey for Civil War era dancing. And then at the end of the month, more disco line dancing!

    A full list of events further into the future may be found on my overall gig calendar.

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    Saturday, December 6th ~ Weston, Connecticut
    Jane Austen’s 250th Birthday Celebration
    (Facebook event)
    Weston Library, 56 Norfield Road, Weston, CT
    2:00-4:00pm. Enjoy a lighthearted lecture about dance in Jane Austen’s life and works followed by a bit of beginner-friendly dancing! Tea and cupcakes provided. This event is FREE but space is limited and pre-registration at the Weston Library website is required.

    Sunday, December 7th ~ Wethersfield, Connecticut
    Mostly Waltz Hartford
     (Facebook group) (Facebook event)
    2:30-5:30pm. Social dancing, 2/3 waltz and 1/3 other, to live music by Peregrine Road (Rachel Bell and Karen Axelrod). I will be teaching a beginner-friendly lesson from 2:30-3:00 on tips and tricks for waltzing to very fast music as well as a mini-lesson on the same theme during the band break. $15 admission, cash at the door.

    Saturday-Sunday, December 13-14th ~ Morristown, NJ
    Jolly Old Christmas
    at Historic Speedwell, 333 Speedwell Ave., Morristown, NJ
    10:00am-3:00pm daily.  Informal 1860s dancing to live music as part of a larger Christmas celebration at this historical site.  Other attractions include a winter Civil War encampment, blacksmithing and hearth cooking, historic house tours, seasonal crafts, and Santa Claus! $5 per person, at the gate or in advance. Tickets at the Morris Parks website.

    Tuesday, December 16th ~ Middletown, Connecticut
    Jane Austen 250th Birthday Tea & Dance Party
     (Facebook event)
    at Vinnie’s Jump & Jive, 635 Main Street, Middletown, CT
    7:00-9:00pm. Come dance like Jane Austen! Join me at Vinnie’s in Middletown to celebrate Jane Austen’s 250th birthday in style with tea and cake and music and DANCING! No experience is needed and no partner is needed. Regency costume much encouraged but not required! Please bring clean indoor shoes to preserve the beautiful dance floor. Flat, leather-soled shoes recommended – high heels are not compatible with this kind of dancing! $15.00 / per person in advance (Paypal) or cash at the door.

    Saturday, December 27th ~ ONLINE (Connecticut-based)
    Online country dance reconstruction class (private event)

    6:00pm-??? Inquire by email if you would like to study dance reconstruction online with me!

    Sunday, December 28th ~ Middletown, Connecticut
    Disco Line Dancing! (Facebook event)
    at Vinnie’s Jump & Jive, 635 Main Street, Middletown, CT
    2:00-4:00pm.  Let’s party like it’s 1978! Come learn the great line dances of the disco era and dance to fabulous disco music! Learn the Bus Stop, the New Yorker, Hot Chocolate, and of course the Saturday Night Fever Dance! Great fun and great exercise. No previous experience needed and no partner required.  Hilarious 1970s clothing encouraged! $10/person cash at the door.

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    I am available to travel for in-person dance teaching, lecturing, and ball precepting.  I am also still available for private or group online lessons and talks via Zoom or your videoconferencing software of choice.  Please email me directly if you would like to schedule an event, workshop, or talk!

    Coming in January: a trip to Boston to DJ, another Bridgerton class, and a week in Atlanta!

  • La Marjolaine

    La Marjolaine, The New Society Dance, was published by the White-Smith Music Publishing Co. in 1888. The music was “arranged from an Italian theme” by Pierre Duvernet with an accompanying “combination of figures” by E. W, Masters. The title page of the sheet music may be seen below; click to enlarge.

    The figures are a very simple eight-bar sequence: a typical late nineteenth century variant of the “heel and toe” polka combined with the four-slide galop. Although the dance is clearly a two-step, complete with music in 6/8, that term is never used in the instructions – an interesting hint that the two-step was not yet well-known as a term in 1888 as it would become in the 1890s.

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  • La Musette

    La Musette is one of the many (many!) little dances and variations found in both M. B. Gilbert’s collection Round Dancing (Portland, Maine, 1890) and G. W. Lopp’s even larger compilation, La Danse (Paris, 1903), much of which seems to have been copied and translated directly from Gilbert. The dance was classified under “Redowa and Mazurka” in Gilbert and “Les Mazurkas” in Lopp and should be performed to music with that accent.

    The first measure of La Musette is a polka redowa step (slide-cut-leap, rhythm 123) minus its initiating hop. The second measure was written out by Gilbert as cut-chassé-cut, in the rhythm 1&23. Lopp’s description is essentially the same.

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  • November 2025 Gig Calendar

    One ball down, one to go! The big event this month is my annual trip to Gettysburg for Remembrance Day Weekend, this year with only one ball. I’ll also squeeze in a quick trip to Boston and a three-week series of disco line dance classes before retreating home to more-or-less hibernate for a couple of weeks and work on writing and blog restoration before things pick up again in the first half of December.

    A full list of events further into the future may be found on my overall gig calendar.

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  • October 2025 Gig Calendar

    This was always intended to be an at-home month as I teach my local classes and work on promoting two, count’em, TWO balls which, in a fit of insanity, I scheduled only three weeks apart. Life is now complicated by the ongoing project of restoring my blog on a new platform and developing a website around it. The fact that this post exists is evidence of (slow) progress!

    Keep reading for the list of this month’s classes and ball. A full list of events further into the future may be found on my overall gig calendar.

    continue reading ->
  • Not just “Harvest Home”

    Long, long, ago I published a reconstruction of the mid-19th century American contra (country) dance published as “Harvest Home” in some of Elias Howe’s dance compilations. I have nothing new to add to that reconstruction, but as I’ve collated more and more contra dances of that era, I’ve found the same figures under a couple of other names in other source, including one predating Howe’s publication of it, with a suggestive pattern of differences.

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  • September 2025 Gig Calendar

    Rescuing all my data from the Typepad shutdown was not what I had been planning to do this month!  I’m going to have to spend a significant chunk of time this month downloading data and teaching myself WordPress so I can bring it all back on a new platform. This is not going to be fun.

    And yes, through all of this website crisis, I will still have to travel and teach.  September is not insanely busy, but if I’d known I’d have to move my entire site this month, I would have planned even fewer events.  I’ll have quick trips to Boston and New York (Long Island) and classes in Connecticut, including a weekly series on basic nightclub two-step!

    As always, events and workshops past the present month may be found on my overall gig calendar.

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  • August 2025 Gig Calendar

    Summer is winding down!  This month's big trip is to Seattle for a cluster of dance workshops and two balls at the World Science Fiction Convention (Worldcon).  Before that, a couple of small classes.  After that, a final two quiet weeks at home before things get rolling for autumn.

    As always, events and workshops past the present month may be found on my overall gig calendar.

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  • July 2025 Gig Calendar

    Summer has come in, and my main work now is writing and catching up on my personal life.  I’ll be in and out of New York City, New Jersey, and Boston, for research, rehearsal, dancing, and DJing, but otherwise more-or-less invisible!

    As always, events and workshops past the present month may be found on my overall gig calendar.

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  • June 2025 Gig Calendar

    The big trip this month is right at the end: the annual Dance Studies Association conference in Washington, D. C.  This will be the first time I have attended in many years, and I have a paper to present!  Other than that, I'll be sticking fairly close to home, or at least to the tri-state area, this month as things start to calm down for the summer.  

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  • May 2025 Gig Calendar

    Another month of compare-and-contrast events, this time with relatively minimal travel involved!  It'll be nice to sleep in my own bed for most of the month.

    I start off out on Long Island with comparative workshops in Bridgerton dance and actual Regency dance, DJ blues in the Boston area and retro-twentieth-century music in Connecticut, and then flip over to 1910s for a short lecture at the opening of a small local case exhibit for which I am lending materials from my own collection!

    Whee!!!

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  • April 2025 Gig Calendar

    This month is going to feature some mental whiplash: two classes of fantasy-Regency (meaning, totally bogus from a historical perspective) Bridgerton dance classes, then haring off to England to immerse myself in serious academic dance history at Oxford University!  Plus sneaking in some research time and exciting extra excursions while I'm in the neighborhood…

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  • March 2025 Gig Calendar

    March is weird.  Two weeks of absolutely nothing, then eight days of gigs in two weeks.  Whee!  Technically, that is four teaching days (including a three-day weekend), one evening of DJing, one morning and one evening of calling, and an academic conference, with trips to Boston and New York as well as two other parts of Connecticut.  Plus at least one day of library research.  The time periods jump from the Renaissance to the early 19th century to the present; it's almost as insane a mix as February.  I love it, but I wish things could be spread out a little bit more evenly…

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  • February 2025 Gig Calendar

    Busy, busy: that's February for me.  Two weekends in California followed by an eclectic set of sessions at The Flurry Festival, then a relatively light last weekend with another Dances of Bridgerton class!

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  • January 2025 Gig Calendar

    Happy new year!  After completely failing to have a restful holiday break in December, I am more-or-less doing that in January before everything gets crrrrrrazy in February.

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  • Another Regency “Sir Roger de Coverley”

    It’s always interesting to find a roughly contemporary version of a classic dance that is recognizably the same dance…but not quite the same.

    I generally use Thomas Wilson’s version of “Sir Roger de Coverley” as my default version for the Regency era, mostly because it was the first one I encountered.  But it was not the only version of the standard figures in the Regency era, even leaving aside the standard country dances and the other whole-set dances (such as the very odd one I described here) set to the same tune.  The version published in Platts’s popular & original dances for the pianoforte, violin &c., with proper figures. Vol. 3, no. 25 (London, 1811) is almost precisely contemporary with the version Wilson was publishing from at least 1808 (in An Analysis of Country Dancing) onward.  The description has three notable differences, one of which makes me want to seriously reconsider how I teach and perform the dance.  I’ve transcribed the description at the bottom of this post for those who want to see for themselves.

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  • A Holiday Cotillon, 1909

    On Monday, December 27, 1909, an elaborate cotillon, meaning an evening of dance party games, was given by the McGowan family in the yellow and gold third floor ballroom of their turreted Romanesque “chateau” on Delaware Street in Indianapolis, pictured above in an image courtesy of the Indiana Historical Society.

    The house and the McGowan family are extremely well-documented. Hugh McGown (1857-1911) was a first-generation American, the son of Irish immigrants, and a self-made man who made a fortune in electric street rail as President of the Indianapolis Traction and Terminal Co. A brief biography may be found here. He and his wife Kate had four daughters: Marjorie, Louise, Frances, and Isabel, who would have been roughly 21, 20, 16, and 14 in 1909.

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  • December 2024 Gig Calendar

    December is usually a quiet month for me, but this year it's hopping!  I'll be off to New Jersey twice, Boston once, and then at the end of the month Florida for an entire weekend of dance and fun that is FREE for attendees!

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  • November 2024 Gig Calendar

    My November has two main events: a weekend of waltzing in which I travel up and down I-91 from Connecticut to Massachusetts and back, and the big Remembrance Day Balls in Gettysburg.  In between, another Bridgerton class.  Afterward, rest and catching up on life!

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  • October 2024 Gig Calendar

    I’m going to be bouncing around geographically in October, both physically and virtually: first, a quick trip to Boston to do research and DJ for Bluesy Tuesy and a virtual appearance at an Oregon event focused around the composer Joseph Bologne, Chevalier de Saint-Georges.  Then I’m off to Scotland once more (wasn’t I just there?) for the European Association for Dance History’s annual conference, complete with a workshop on the double quadrille by the not-nearly-notable-enough Mrs. Nicholas Henderson.  The workshop is free, if anyone happens to be in Scotland!

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  • September 2024 Gig Calendar

    This month is going to mostly be personal time for me: a family visit and an Actual Vacationtm.  I’ll be squeezing a few days of library research (three different sites) in around these, but mostly I’ll be quietly traveling around doing non-dance things. 

    Then, at the very end of the month, something new: Bridgerton dance!  This is specifically dance from the television series which — news flash! — is not intended to be historically accurate.  I regard the show as speculative fiction (alternate history) and the dances as fantastical, not historical.  You can read some of my thoughts about this here.  I taught a couple of these dances in Scotland last month, but this will be the first time teaching them in the USA.

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  • Highland Mazourka

    Let’s get the important part out of the way first:

    The Highland Mazourka is not a mazurka.  

    It is, however, a delightful example of the nineteenth-century tendency to transpose dances from one time signature to another.  In this case, typical polka mazurka sequences have been transposed from 3/4 time to 4/4 time with a bit of extra hopping added to fill out the music, which should be of the Scottish strathspey style.  The polka mazurka itself consisted partly of polka (2/4) steps transposed to 3/4 time.  Confused by all these shifting time signatures?  Fear not; all will be made clear below!

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  • August 2024 Gig Calendar

    I'll be starting out August with a couple of weeks in Scotland.  The first weekend, I'll be teaching a dance workshop and leading a tea dance in Edinburgh, both with a general theme of Scottish dances influenced by or connected to those of Continental Europe and Continental dances that appeared in Scottish sources.  The second weekend, I'll be having a very eclectic time at the World Science Fiction Convention in Glasgow, which for me will include giving a popularly-oriented paper, leading a masquerade ball for which I've been reconstructing some truly terrifying dances from video, and DJ'ing a blues dance.  In between: library time and perhaps a bit of tourism!

    Later in the month I'm looking forward to a reunion with a group of my most dedicated online students from pandemic times.

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  • July 2024 Gig Calendar

    I was expecting to spend July quietly at home, but it looks like I'll be making a quick DJing-and-research trip to Boston before returning home to prepare for my trip to Scotland in August!

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  • Revisiting La Russe

    Twelve years ago, I wrote a brief post explaining how to dance “La Russe”, a redowa/mazurka variation I found, like so many others, in M. B. Gilbert’s Round Dancing (Portland, Maine, 1890) and [George] Washington Lopp’s La Danse (Paris, 1903).  I remain confident in my reconstruction, but in the intervening years I’ve discovered the official music for it, which clarifies that it was intended as an independent dance rather than merely a variation, and a bit of background.  So it’s time to revisit La Russe!

    First, I’d suggest going back and reading my original post on La Russe, since I am not going to go back through the details of how to perform it.

    The choreographer of La Russe remains unknown, but apparently that was intentional: La Russe was created and promoted by the American Society of Professors of Dancing, which had a policy of not crediting the choreographer(s) for the dances they published as their own.  La Russe was established among them by early 1882, as their proceedings record that at their thirty-eight meeting, on April 2, 1882, they voted to publish original music for the dance by George W. Allen and noted that the step would be practiced at their next meeting.

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