Category: Two-Step (circa 1900)

  • Late 19th Century Jig-Time Dances: The Pasadena

    The Pasadena, a would-be replacement for the two-step, appears in the 1900 reprint of New York dancing master Allen Dodworth’s 1885 tome, Dancing and its relations to education and social life, but can be dated back to at least 1898.  It appears to have been created as a dancing school dance, as Dodworth’s nephew, T. George Dodworth, discussed in his introduction to the new edition of his uncle’s manual:

    In order to bring the work up to date, I have been requested
    to write an introduction which will include a list of dances that have come into fashion since my uncle’s book was originally published.


    As a matter of fact, however, society dances have decreased, rather than increased, during this interval. When this work first appeared most of the round dances described in its pages were fashionable. But Dame Fashion is fickle, and, owing to some unaccountable change in taste, we now have only the Two Step, the Waltz, occasionally a Saratoga Lancers, and the Cotillion. In the dancing-schools the old dances are still taught, but with numerous new combinations, which are composed to improve the pupil and keep alive the interest. From these combinations we have the Tuxedo Lancers, the Amsterdam, Gavotte der Kaiserin, Minuet de la Cour (for four persons), and the Pasedena.

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  • Quick-Quick-Slow: The Two-Step Infiltrates the Foxtrot

    In my previous foxtrot post I covered the basic walking and trotting patterns of the early foxtrot of the 1910s.  These patterns are characterized by alternating series of slow (S) or quick (Q) steps, simple traveling interspersed with occasional sideways glides or half-turns, and consistently starting on the same foot (gentleman’s left, lady’s right).  This simple foxtrot was complicated almost immediately by variations of rhythm, most notably the “quick-quick-slow” (QQS, or “one-and-two (pause)”) rhythm of the 19th-century two-step and polka.  This post will discuss some of the variations introduced in the pre-1920 foxtrot as described by dancing masters Maurice Mouvet (1915) and Charles Coll (1919) and demonstrated by Clay Bassett and Catherine Elliott on film (1916).

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