Once more, some cotillions, this time to wrap up the year with midwinter cheer!  As with the North Pole figures, these are taken from H. Layton Walker’s Twentieth Century Cotillion Figures (Buffalo, New York, 1912).  This trio of figures is pure fun, however, with no special historical significance.  Three figures aren’t enough to comprise an entire party on their own, but mixed with standard, non-winter-themed figures, they add a nice seasonal touch.

But first, let’s let’s decorate the ballroom with a winter theme…

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In honor of the freezing cold winter weather, I’m returning to H. Layton Walker’s Twentieth Century Cotillion Figures (Two Step Publishing Company, Buffalo, New York, 1912) for a pair of cotillion figures themed around the then-current news of the attempts by explorers Robert Peary and Frederick Cook to be the first to reach the North Pole in 1908-1909.  At the time Walker’s book was written, there was a lively conflict going on between the two men as to who could claim the polar laurels.  Since then, both accounts have been discredited to varying degrees, but it seems to still be something of an ongoing debate among scholars.  There’s an interesting account of the two expeditions and the contemporary debate at the Smithsonian Magazine website, which I recommend for anyone wanting more historical perspective.

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Final cotillion figure for the month!  Boarding House straddles the line between comedy and horror, making it perfect for Halloween.  Along with being probably the single weirdest cotillion figure I’ve ever seen, which is saying a lot, it’s also the most elaborate, requiring the construction of a special trick table along with props and costumes for some of the dancers.  The figure is taken from St. Louis dancing master Jacob Mahler’s 1900 compilation Original Cotillion Figures, in which it was attributed to Brooklyn dancing master William Pitt Rivers.  After reading through this figure, I’m not sure I’d have wanted to have him as my dancing master!

I’ll include the full original description below, but since it is rather lengthy, I’ll start with the requirements and process for the figure.

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The description of the Red Ear Party, or Harvest Home Party, appears in Emily Rose Burt’s Entertaining Made Easy (New York, 1919).  It was not a full-scale fancy dress ball, but an autumn/harvest-themed ball put on by, according to the book, a group of high school seniors as the opening event of their final year.  Along with normal dancing of the era, it featured a series of novelty dances which were effectively low-key cotillions.  Did the event really take place or was it imagined by Ms. Burt just for the book?  Hard to say.  But I’m impressed with the imagination and industry either displayed by the actual students or expected by Ms. Burt to be achievable by high school kids.  I wish my teenage school dances had been like this!

The red ear of the title was not a body part but an ear of corn.  The significance is said to go back to a colonial tradition in which whoever found the red ear at a corn husking party would get to kiss the girl of his choice.  (You can see an example of one red ear among a lot of normal ones here.)  In this case, finding the (faked) red ear was used to select a “queen” for the party.

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Coming back to cotillion figures, and sliding even further down the weirdness scale, here’s a figure that combines playing doctor and still more wacky costumes!  The source, once again, is the ever-delightful Twentieth Century Cotillion Figures by H. Layton Walker (Two Step Publishing Company, Buffalo, New York, 1912).

Like the Garden Figure and Stocking Auction figures, Sanitarium is a partner-choosing mixer, but with a much more elaborate setup.  Here’s Walker’s description:

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Moving on from fancy dress balls, here are a pair of cotillion figures which actually involve some degree of costuming, at least for loose definitions of the concept.  Both figures are taken from H. Layton Walker’s Twentieth Century Cotillion Figures (Two Step Publishing Company, Buffalo, New York, 1912), source of an endless supply of delightfully weird figures.  There are actually Halloween-themed figures in Walker’s book, but they’re quite dull by comparison with these two!

Both figures are simple mixers, with either the ladies or the gentlemen selecting partners from a group of opposite-sex dancers.  Dozens of figures of this sort were published over the years, but these two take the concept to a whole new level by having the dancers put on some sort of silly costume during the ball itself, presumably right over their normal evening dress.

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