Category: 1920s

  • On Old Fashioned Dances, 1926

    On January 21, 1926, a column unfavorably comparing modern dancing to that of earlier eras was published in the Lewiston Evening Journal, published in Lewiston, Maine.  “On ‘Old-Fashioned Dances’ ” appeared under the column title “Just Talks On Common Themes” and the byline of A. G. S.  The initials are those of  Arthur Gray Staples (1861-1940), a Maine writer who was the editor-in-chief of the Lewiston Evening Journal (later just the Lewiston Journal) from 1919-1940.  “Just Talks On Common Themes” was his daily column.  Staples described these columns many years later in an inscription of one of his books to the Maine State Library:

    The only claim for these things is their spontaneity.  They write themselves — “after hours,” chiefly.  In their day and generation many good folk seemed to like some of them and many did not.

    A collection of the columns was published in 1919 or 1920 and may now be found online at archive.org.  Later collections were issued in 1921 and 1924, but  a 1926 column was obviously not included in any of them.  Fortunately, it is now online in its original newspaper publication.

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  • A 1920s Medley Paul Jones

    Most Paul Jones-style mixers are similar to the one found in the manual Dancing Made Easy (New York, c1919-1922): the dancers form a circle of couples, or possibly two concentric circles, each operating separately, if the numbers are too great.  They perform a grand right and left, then at the leader’s signal dance a one-step with the next person in the chain.  The 1903 Round Two-Step (described here) is quite similar, except that the dance of choice is a two-step.

    But in the mid-1920s English manual Foulsham’s Modern Dancing, by Maxwell Stewart, a more elaborate version is described. 

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  • Famous Last Words

    On the lighter side of dance research…

    There’s plenty of silliness in historical dance manuals, ranging from mythological origins of dancing in general to apocryphal stories about the origins of particular dances.  But none of that makes me laugh quite so much as a couple of lines in Foulsham’s Modern Dancing, by Maxwell Stewart, published in London around 1925 and ambitiously subtitled “A guide to everything the dancer old and young, skilled and unskilled, wants to know.”  That was rather optimistic of Stewart; this particular dancer wishes he had included a lot more detail about some of the moves he described.  But the following has got to be one of the most risible lines I’ve ever found in a dance manual.

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