(Third in a series of posts discussing and analyzing the Swedish dances. Links to the full series are at the end.)
As mentioned in my introductory post in this series, there are distinct sequences of figures involving setting for dances suited only to a majority of one gender or the other and for dances suited to either an equal number of each or a majority. In this post I'll take a look at the characteristic setting figures for each type of dance.
Continue reading "The Swedish Dances, Part Three: Characteristic Setting Figures" »







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