Month: May 2009

  • Five Step Schottische

    • Era: 1870s(?)-1890s (America)

    The Five Step Schottische, as described by prominent late 19th-century dancing master M.B. Gilbert in his tome of couple dances, Round Dancing (Portland, Maine, 1890) and later by Marguerite Wilson in her oft-reprinted Dancing (Philadelphia, 1899),  squeezes five movements, rather than the standard four, into each bar of schottische for an interesting variation which alternates sideways slides and half-turns for a sequence similar to that of waltz variations such as the contemporary Le Metropole (also included in Gilbert’s manual) or the later Five-Step Boston described by Philadelphian Albert Newman in 1914.  Putting this combination into schottische rhythm makes for an interesting but not overly complicated dance worth resurrecting by the modern late-19th-century dance reenactor.

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  • An Easy One-Step Sequence

    F. Leslie Clendenen’s 1914 compilation, Dance Mad, is full of sequences of varying levels of difficulty for many of the popular dances of the 1910s.  This one caught my eye as being a short (sixteen beats) and simple introductory one-step suitable for getting beginners dancing quickly and for teaching the lead for rhythm changes between one-step and two-step.  Clendenen gives it no special name or attribution, just “One Step.”

    Directions are given for the gentleman; the lady dances opposite.  Starting foot is left for the gentleman and right for the lady.  Begin in normal ballroom position, with the gentleman facing along the line of dance.

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  • International Congress on Medieval Studies, Kalamazoo, MI (May 7-8, 2009)

    I will be attending the International Congress on Medieval Studies this Thursday and Friday and presenting a paper on step variation in the 15th-century saltarello at 1:30 Friday afternoon, session 301, “Riverenze e Spezzati: Challenges in Early Dance Research and Reconstruction.”

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