"Light Dragoon" is an easy mid-19th century American country (contra) dance, one of a lengthy list of contra/country dances given
in two manuals attributed to Elias Howe. In one of the two, it is
cryptically labeled "Pinkerton;" possibly this is the name of the
choreographer of the dance. It is performed in a longways set of any length, though four to six couples is easiest. All couples are "proper," with the men standing to the left of their partners when all are facing the top of the room.
Continue reading "Light Dragoon" »
By
the end of the 19th century, many quadrilles were being
published that didn't follow the earlier form of having multiple
separate figures. Although this short dance does have two distinct parts, they are treated as one long figure. The source of the dance is The Prompter’s Handbook
by J.A. French, published in Boston in 1893. The original instructions may be seen here. There are significant similarities in the figures to the Waltz Quadrille from the same source, which I described in an earlier post, as well a a generic similarity to other one-figure quadrilles of the late 19th century, which typically involve a mix of very simple figures interspersed with the entire set dancing in couples (waltz, polka, galop, etc., depending on the type of quadrille).
Continue reading "A Polka Quadrille (1893)" »

In his 1818 dance manual, The Quadrille and Cotillion Panorama, Thomas Wilson provides a list of the ten essential steps for quadrilles (image at left from the second edition, 1822). The last of these is the "PAS DE BASQUÉ." Almack's orchestra leader James Paine (or his ghostwriter), in Paine of Almack's Quadrilles, Set I (n.d., probably late 1810s), agrees that:
"Every
Lady and Gentleman desirous of Dancing Quadrilles should be Acquainted
with the following Steps, which are but few in Quantity and Extremely
facile in their performance."
Last on the list given is "Pas des Basques et Emboité en àrriere."
Continue reading "The Regency-Era Pas de Basque" »
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